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Hamada
Akiko

Bass,
Vocals |
Nakashima
Yumi

Guitar,
Vocals |
Taakii

Drums |
I
discovered GO!GO!7188 a short while ago. I never doubted there
were countless
other amazing artists in the sea of Japanese music. I only missed their
debut by a couple of years, though. Having started in late 2000, Yuu
(Nakashima
Yumi), Akko (Hamada Akiko) and Taakii,
which stands for "Turkey" (I don't know, either), represent the new
generation of talented Japanese author/composer/performers. If this is a
taste of things to come, I'm staying until dessert.
It is hard not
to get instantly gripped by this band's style from the get go. They are so playful,
energetic, cute, retro, edgy... just to name a few. Regardless what
branch of the enormous "rock" tree you swear by, GO!GO!
has what you
are looking for. Even if they still need to get over the foreign lyrics, J-Music uninitiated are more than likely to appreciate this band for its true
worth.
Music
composition
is mostly handled by Yuu. Her favourite artists and sources of inspiration
include THE BOOM,
Shiina
Ringo, Cocco, Brahman, Judy and Mary and
Thee Michelle Gun Elephant. You can find hints of influence
from each of these great names, which is why I am always ecstatic
when listening to GO!GO!7188. Don't expect plagiarism, however, Yuu still has her own unique composition style. She looks extremely
focused during live performances, as if it was hard for her to do both the
singing and guitar playing. Even if that is the case, she handles the
bands most complex and flexible aspects perfectly.
Akko not only enhances
every song with her loosely tightened bass strings but takes
care of the backup vocals and lyric writing, as well. Her lyrics can be
very touching and personal but sometimes downright bizarre. Regardless,
Yuu is such a talented and powerful
vocalist, the songs burst of emotion no matter what is being said. In
fact, the apogee of most songs comes when she goes all out with her voice
and shouts using one of the highest key I've heard. Don't worry, it is not
in an annoying matter but in a Isoya Yuki way, which is perfect for those
who, like me, are diagnosed with Judy and Mary nostalgia.
Another reason
I like them so much is the quantity of different beats and lines every
given individual song contains and the original transitions used to smooth
all those variations out. Forget about the "one for the verses, one
for the chorus" concept some use; here we have four-in-one
songs that never get old because of how eclectic their rhythm is. This is
mainly thanks to Taakii. He understands a repetitive song is a boring one
and always makes sure his beats follow with the attention span of even the
most stereotypical teenager.
The
two gals spent most of their Kagoshima high school days together.
Both girls, and especially Akko, never envisioned to one day play on a
professional level and simply played Judy and Mary covers and
had
fun in karaoke bars when time permitted. However, the more Yuu started to
compose her own songs, the more interest it spawned from themselves and the
general public. Taaki joined one year later, bringing his experience of the
music scene to this greenhorn band.
It sometimes
takes a while for a group to get the chemistry going and their first
albums only show hints of potential. In the strange world of GO!GO!7188,
however, Dasoku Hokou, their first album had a lot more than
potential to offer. It was preceded by four maxi-singles in five months
acting as a warning that this band was about to take over Japan. With such quality works,
the small Kagoshima trio gathered a little cult following until proper
marketing propelled their latest work, Tategami, up the charts,
reaching number five and beating their personal record (previously
established with Tora no Ana) by ten spots.
The threesome
is still promoting the amazing Tategami album across Japan. Their impressive tour,
which started in March, comprises of concerts, festivals and television appearances,
and will keep the band busy until late September. However, they
somehow found time to produce a new single called Ruriiro and released
August 6th, promoted by an intriguing (to say the least) music
video.
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