File Index

L’Arc-en-Ciel

The Back Horn

Bonnie Pink

The Brilliant Green

B'z

Chara

Cocco

CORE OF SOUL

Dir en grey

fra-foa

Gackt

GLAY

globe

GO!GO!7188

GOING UNDER GROUND

hide

Judy and Mary

Malice Mizer

Mr. Children

Onitsuka Chihiro

Penicillin

The Pillows

Shiina Ringo

T.M.Revolution

Thee Michelle Gun Elephant

Tokyo Ska Paradise Orchestra

X Japan

Yaida Hitomi

The Yellow Monkey

Klaha

Vocals

Közi

Guitar 

Mana

Guitar, Keyboard

Yu~ki

Bass


One of the many things I like about Malice Mizer is the way they can fool everyone into falsely preconceiving their music style. Looking scary by many people's standards, they prove through and through that appearances can be either deceiving or transparent and that the only way to find out is to listen... one song at a time. 

Malice Mizer are truly masters of contrast. When comparing soft melodic tunes like Le Ciel to jackhammering ones like Beast of Blood, it is hard to understand how they can excel in both extremes and everything in between. How often do you hear accordions, electric guitars, violins and drums at the same time? With Malice Mizer, that is just your everyday lineup.

 

The main composer, Mana, is the principal cause of Malice Mizer's unmatched miscellany. It doesn't matter if it is heavy guitar or soft violin arrangements; Mana is neutral in every sense of the word. Indeed, cross dressing has rarely looked that good and the queen of Japanese music has inspired many with not only music but style and charm, as well. As much as I try to consider visuals as a simple bonus, they really go to great lengths to fusion both aspects in one single art. Their shows include theatrical performances and each album and single comes with a brand new wardrobe, more outrageous and beautiful than the next.

Various members of the group also composed a few melodies of their own. While we can denote a different approach than with Mana, their songs are, for the most part, extremely well done. Syunikiss by Yu~ki, Gekka no Yasoukyoku by Közi and Regret by Gackt are all I need to prove my point.

Malice Mizer used three vocalists during their ten years together. Tetsu, Gackt and Klaha were each special in their own way. The latter two edge the eldest member because of their impressive range and, talent wise, I consider them to be neck to neck. On one side you have this incredibly smooth and silky voice that is Gackt’s versus Klaha’s strong and compelling one. Seeing opportunity in crisis, I think having had problems finding a stable singer has given the band a few more points in diversity... as if they needed it. 

 

Malice Mizer's story is a long and tragic one. It started in 1992 when Mana and Közi recruited Yu~ki, Tetsu (vocals) and Gaz (drums). Rarely present at reunions, Gaz was excused from the group a year later to be replaced by Kami. Since Mana was devoted to his music, any lacunae from fellow band members was not tolerated for very long. Annoyed with Tetsu’s poor vocal array, he was given the boot in 1995, right after the release of the band’s very first album, Memoire. Gackt was recruited later that year to present vocals up to par with Mana's standards. Two albums, Voyage Sans Retour and Merveilles, were released under his reign and engendered unmatched popularity. 

Merveilles sadly marks the apogee of this fated group. Gackt decides to leave the band to concentrate on a solo career, taking his important share of fans with him and leaving Malice Mizer without a singer, once again. The real tragedy occurs soon after, when Kami is found dead from cerebral embolism (a blockage of an artery in the brain). The remaining members felt they owed it to Kami to hang on and decided to promote their backup vocalist, Klaha, who surprised everyone but overzealous Gackt fans with his powerful voice. 

 

One album (Bara no Seidou) and several singles later (or December 2001, to be precise), every member agreed the time had come to part.  They each had solo projects in mind and Kami’s bereavement certainly affected the group in the long run. I am glad the band dissociated in good terms proving they never let adversity gain the upper hand. Mana's new project, Moi Dix Mois, released its first single, Dialogue Symphonie, on November 19 and started touring Japan immediately after.

 

Favourite Album:

Merveilles

Many of my favourite Malice Mizer songs only exist as singles. I ruled out Memoires because of Tetsu's singing becoming slightly repetitive after a while and I was not extremely fond of Voyage sans Retour. It was then a toss-up between Merveilles and Bara no Seidou, the former winning by a nose.

Favourite Songs:

1. Syunikiss
2. Unmei no Deai
3. Regret
4. Color Me Blood Red
5. Beast of Blood
6. Gekka no Yasoukyoku
7. Au Revoir
8. Uruwashiki Kamen
9. Seinaru koku Eien no Inori
10. Gardenia

Why Syunikiss?

If you have never heard anything from Malice Mizer before, this song will probably take you by surprise. Syunikiss perfectly blends Gackt's powerful voice with original symphonic composition. It even has its own interlude with blowing wind sounds and birds chirping.

 

 

Official Site: http://www.malice-mizer.co.jp

Klaha's Official Site: http://www.klahainfo.com

Közi's Official Site: http://www.kozi.info

Eve of Destiny (featuring Közi)'s Official Site: http://www.eveofdestiny.co.uk

Mana's Official Site: http://www.midi-nette.com/mana/index2.html

Moi Dix Mois (featuring Mana)'s Official Site: http://www.midi-nette.com

(Tip: use AltaVista's Babel Fish translator)

 

English Fan Sites:

The Secret World of Malice Mizer: http://www.geocities.com/SoHo/Studios/3507/malice.html