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Suzuki Hideya

Drums |
Kazutoshi Sakurai

Vocals, Guitar |
Nakagawa
Keisuke 
Bass
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Tahara Kenichi

Guitar |
Yet
another band I recently discovered and cannot see myself living without. Hard to believe they
were right under my nose, since they have been one of the top selling bands
in Japan for almost twenty years. This is the solution for sadness,
boredom, loneliness... you name it. Fans of The Pillows are sure to
fall in love with Mr. Children as I did after purchasing their dual
compilation albums1992-1995 and 1996-2000.
This impression only came after a while,
though.
Without immediately catching the ear, their songs kept growing on me and
still are to this day. Their music is the ultimate feel-good
experience, which is redefined in every album. Going further and further
into uncharted territory yet mixing experiments with previous styles,
these high school friends stayed together through thick and thin, and
earned each of their number one spot on the charts.
In
a nutshell, Mr. Children is the result of diverse, soft, acoustic
instruments, deep low-key vocals, intelligent lyrics and an acute sense of
music, mostly provided by the band's leader, Sakurai. He has assumed the
burden of being both the composer and writer for the band from its creation and
is justifiably regarded as one of the top musical minds in Japan and, in
my personal opinion, the world.
His
lyrics have been the object of much praise during his long career. From the most
thought-provoking, sarcastic poems to the sweetest love songs, they
characterize more than one generation. It is, however, quite possible to
fall in love with this band long before finding a single lyric
translation; Mr. Children plays the kind of music that simply is a
bliss to lose yourself into. It makes you remember your better days as you
hum their tunes through the harder ones.
Sakurai
is blessed with three formidable friends and musicians. Suzuki, nicknamed
Jen, is a drummer who is not afraid to use all sorts of percussions beside
his faithful drums. He also provides the backup vocals with a voice that
resonates harmoniously with that of Sakurai. Don't expect back-breaking
moves but his merry attitude and love for the camera make him just as
important as any other Mr. Children member. Speaking of which, Tahara
and Nakagawa usually keep low profiles during public appearances, but their
recurring attempts to blend into the background keep failing, as it is hard
for their talent and presence to go unnoticed.
Like many of today's greatest bands, Mr. Children started as a bunch of long
time friends playing together for fun. When band members are consummate
enough about music, it sometimes goes a lot further. The WALLS was
the first name of the then trio before being changed to Mr.
Children a while after the enrolment of Hideya Suzuki. They spent seven
years underground, playing in clubs and failing auditions before Toy's
Factory (who also produced fra-foa's two
albums) noticed their potential.
As
they exponentially gathered more and more fans, Mr. Children, who felt they
were cheating their emotions in favour of popularity, started to lean
towards experiments and progressiveness starting with Atomic Heart. The
true side of the band stroke a cord with its listeners and, combined with
the song Cross Road used as a theme for a dramatic series, the album broke
the existing sales record in Japan with three million copies sold. The next
few years were incredibly hectic for the band who kept pumping out
wonderful albums while they were on constant tour. After taking a short
break in 1997, they were back in action without the slightest trace of
dimness.
Mr.
Children releases are always greatly anticipated. Even if their sales in
the late 90s were never matched, this band's fan base is still very
strong. The latest of the children, I ♥ U, is a pretty decent
work and singles or a future album have already started to surface.
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