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| Heath
Bass |
hide
Guitar |
Pata
Guitar |
Toshi
Vocals |
Yoshiki
Drums, Piano |
It
would even be an understatement to call this band legendary. It is safe to
declare X Japan has been the most influential band in
Japan's history and a major landmark in general music history. No, I am
not crazy; they are that big.
The cult is highly justified; songs composed
by Yoshiki Hayashi are the epitome of diversity, passion and precision. I
doubt many musicians could even attempt some of his heavier and disturbing
compositions that make him a pioneer in his own right and the leader of X
Japan.
Of course, finding artists who can play their parts perfectly is essential
and I am glad to say he did. Heath, hide and Pata are all skilful and
proficient, and Toshi's voice is perfect for both soft ballads and immersed
screaming. Yoshiki himself can pull inhumanly fast drum passes or intense
piano solos.
X
Japan’s
repertoire should be enough to bury anyone’s prejudices against
"heavy metal" bands a hundred feet underground. There is
something for everyone to enjoy in their sometimes fiery, sometimes
velvety works of art. But whether they are fast or slow-paced and even in
their gloomiest moments, few can deny the beauty and complexity of their
pieces.
That particular style is nicely represented in their 1993 single:
Art of Life, which is a whopping twenty-nine-minute (the live version
going over thirty-four minutes) roller-coaster ride of emotions endlessly
fluctuating from heavy to melancholic but flowing smoothly none the less.
Hardly any band would dare to try such feat, even fewer would actually
pull it off and, if you allow me this assumption: none could do it
remotely as well.
With violins and piano played when the moment is just
right, arrangements are flawless more often than not. Having taken piano
lessons from the age of five, Yoshiki not only times these arrangements
right but also plays them giftedly. Aside from the actual composition, my
favourite aspect of X Japan’s music is Yoshiki’s
insane drumming skills. Listening to Silent Jealousy and X, I can but
wonder how such rhythms are even possible. Next in line is hide’s
guitar. Once again, either fast and furious or soft and sorrowful, his
skills combined with a mysterious personality made him the most popular
member of the group. I have a hunch his hair styling played at part in
that, too. The visuals are a bonus to fans of colourful hair, shocking
get-ups and androgeny.
Yoshiki’s
dream had always been to become a rock star. He will have to wait until
1980 at the age of sixteen when he somehow managed to convince Toshi,
who was heading for medical college, to start a band with him. Many
members joined and left X (as it was called then) and
it is only seven years later that Yoshiki found musicians who had what
it took.
Thus, Pata, hide and Taiji (former guitarist) joined X
and released Vanishing Vision, their first album. It did not take
much time for people to recognize their talent and their second and
third album, Blue Blood and Jealousy, both were
accompanied by unprecedented popularity. Taiji gave his place to Heath
in 1992, which also corresponded to the band’s name change. Trying to
reach an eastern audience where a band named X already existed, they
changed theirs to X
Japan. The band and their spiffy
new name kept the hits rolling until their fifth and final album, Dahlia.
In 1997, X
Japan
fans were shocked to hear the band was splitting. Seventeen years of
success is a long time and the departure of vocalist Deyama Toshimitsu (Toshi)
triggered the inevitable. Yoshiki has since had a thriving solo career (Violet
UK) and
owns his own record company called Extasy Records. Pata and Heath teamed
up again to start a new band named Dope HEADz. Pata also
found a second home in Ra:IN, a mostly
instrumental new trio. hide’s
subsequent solo career as a lead singer and guitarist tragically ended
prematurely when he was found dead by what appears to be suicide. His
legend and that of his former band lives on and probably still will for
decades to come.
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